Chaplin’s character attempts to convince a passerby (director Henry Lehrman) to give him money. Chaplin is then shown flirting with a woman; Lehrman enters to present the woman with flowers and sees Chaplin. A slapstick fight between the two ensues. Later, Lehrman’s character takes a photograph of an automobile accident; Chaplin’s character steals the camera whilst the journalist is helping a trapped motorist and rushes back to the paper with it to claim the photograph as his own. A short pursuit with the Keystone Kops follows.
